Yesterday we left San Miguel (so sad) and drove to
On the way to one is very famous; it has the second biggest ball court in
“lets build big pyramids” thing. At the top of one of the pyramids were large carved pillars (one meter diameter and three meters tall). How did they get them up to the top of the pyramid? The pillars represented war chiefs. At the bottom of the pyramid, engraved in a low wall only a couple meters high, were images of the Feathered Serpent God devouring human skulls. In some places, we could see the original paint, vibrant blues, greens and yellows. Unfortunately, we couldn’t stay there very long, we wanted to get to
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I forgot to write about where we ate dinner our first night in San Miguel: a little place called Ten-Ten-Pie. The name is a colloquialism from lead guitarist. I also had no idea that guitar could be so interesting to listen to.
But we were the only ones in the audience clapping; no one else acknowledged the end of a song. Our enthusiasm made up for everyone else’s rudeness. After the set was done the musicians came to talk to us, the most enthusiastic members of the audience. We bought their CD and somehow it came up that Daddy plays this type of music on the violin. So they invited him to perform with them the next night. Keep in mind that this was before they had asked him how long he had been playing or knew if Daddy was a good violinist or not.
The one-night performance turned into two nights, then three, and then a performance at a fancy restaurant. It was the best music I had ever heard Daddy play. He was playing blisteringly fast and it was so interesting to listen to. I don’t know how to describe it, the music was so wonderful. It was a lot of old swing standards (like Reinhardt/Grappelli’s “Minor Swing” and “It don’t mean a thing if it ain’t got that swing”)—but mixed with flamenco-like songs and original latin-sounding tunes. Maybe if I describe the musicians response to my Dad’s playing. They are, one, coming to Oaxaca to perform with him there, two, are going to make a CD together and three, (always three) want Daddy to join their band permanently. Did I mention that we are going to try to get them to perform at the Folk Festivals in B.C.?
That second night everyone from the B&B came to the restaurant to listen. The Québécois ladies had a table, and we shared a table with the Houstonians (
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Local Mexicans seem to ignore people begging for money and selling things. They turn their head away and practice “if I can’t see them they don’t exist”. One thing that marks us out as tourists is that we say “no gracias” to the sellers and give the beggars, mostly old women, money or food. If a way to blend in is to be rude and indifferent, then I don’t want to blend in.